This film is “Scalpel-Sharp and Shocking” and “The Perfect Crime Drama” apparently. Not “Slow and Slightly Dull” then…
So what moves at night? Your bowels? Long-distance haulage? Well.. the answer here is a boat full of explosives.
This is the well-made but sloooow story of Josh (Jesse Eisenberg), Dena (Dakota Fanning) and Harmon (Peter Sarsgaard). Three environmental activists who want to make a statement by blowing up a hydroelectric dam. I know… what are they thinking?? It might be spoiling fish bio-diversity (or something) but this is clean electricity right? Surely a coal-fired power station would have been a more appropriate target? All that pollution belching out into the clean air…
Did I say this was slow? At the time though, you are always convinced something exciting is about to happen so you don’t mind, but nothing ever really does. They blow up the dam, there’s the predictable consequences of this and then one of the three does something that is too far out of character to be believable. Then the film just ends, leaving you to cogitate on what happened before, or if you are like me you immediately watch a more exciting film (Guardians of the Galaxy) to wake yourself up.
An interesting character study which starts off tense but soon succumbs to dullness. A great film to relax to though. 5/10
Things are about to get ugly…
This is one of the best films I’ve seen for a while. Gritty, uncompromising, with a strong emotional undercurrent. It’s compulsive viewing. It tells the story of Eric Love (Jack O’Connell) who is ‘Starred Up’ (English prison jargon for when a young offender is transferred early to an adult prison, usually because they are too violent to deal with).
You realise this will be a violent film when the first thing Eric does is melt a tooth brush into an improvised knife and then hide it in a ceiling light. Almost the next thing he does is beat a fellow inmate unconscious, who he mistakenly thinks is going to attack him. It’s not long after that, he has his teeth clamped down over a prison-officer’s ball-sack and is threatening to bite down harder. This film is that kind of violent.
Complicating matters for Eric – and also adding emotional depth to the story – is that his father Neville (Ben Mendelsohn) is also an inmate at the new prison. Eric and Neville have a less than ideal relationship but Dennis (Peter Ferdinando) a high up prisioner is insisting Neville brings his son under control. Dennis is threatening to have Eric killed if he doesn’t make progress fast.
This is an enjoyable and unpredictable film. The violence although strong isn’t shocking or strong enough to be repulsive and there’s a superb central performance from Jack O’Connell who nails both the physicality and emotional vulnerability of his character. Ben Mendelsohn as Eric’s father is also very good, alternating between authoritative and shambling father-figure depending on the situation. The corruption in the prison runs deep, maybe a little too deep to be realistic in this day and age but this is an intense, compelling and realistic story well told.
It’s a good thing Thermistocles (Sullivan Stapleton) remembered to shave his chest and legs before going into battle…
The Persians led by the “God-King” Xerxes (Rodrigo Santoro) have invaded Greece with a huge army. The defending Athenian and Spartan warriors have spent a worrying amount of time shaving their body hair. Yes it’s the sequel to 300, there are more greased hairless gym-pumped chests but where 300 could be described as homoerotic this is just cheesy gay porn.
The original film was an enjoyable mish-mash of testosterone, slow-motion action sequences and set pieces that became internet memes (“This is Sparta, Hear me roar!” etc). It even spawned the the spoof film Meet The Spartans (2008). Rise of an Empire isn’t exactly a a prequel or a sequel though. It’s more an ‘equal’ – since events take place both before, after and at the same time as the original 300. Instead of Spartans however, this time the focus is on the Athenians and instead of land battles, all the battles are at sea.
By their nature boats aren’t very manoeuvrable, so things have to be spiced up with them ramming each other with precision strikes, suicide bomber attacks and the much larger Persian navy being led into obvious traps by the Greeks. The leader of the Athenians, Themistocles (Sullivan Stapleton) even somehow manages to ride a horse into battle while at sea – which is impressive.
The chief enemy this time is not Xerxes but the Persian naval commander and master swordswoman Artemisia (Eva Green): “Her beauty is only matched by her devotion to her king” according to the very cheesy voiceover. There is a strange, aggressive and almost at-a-distance sex scene between her and Themistocles which presumably is to provide counterbalance to all the man-on-man action going on elsewhere. There are Spartans are in this film but they are now led by the annoyingly over-earnest Queen Gorgo (Lena Headey). Equally annoying are the over-the-top blood spurts that seem to issue forth every time a sword even partially strikes home. I presume these were added for the 3D effect in movie theaters but they often give the impression that you are watching a video game.
Hopefully the next film will be back with (non-irritating) Spartans and set on land. Over the top, historically dubious, cheesy, often over-earnest and not as fun or enjoyable as 300. 5/10